all the crushing tides,
rivulets, flashing bolts of
life, light, fire and ice
carve these etchings’ speak
and harden, encase tender
flow while seeds erupt
magic, making me
in spite of, because of all
these shredding life songs
“I carry a torch in one hand
And a bucket of water in the other:
With these things I am going to set fire to Heaven
And put out the flames of Hell
So that no one worships God
for fear of hell or greed of heaven.”
Rabia, Eighth-century Sufi mystic poet
At the risk of being “too serious,” I’m posting this somewhat intense documentary. I had an interesting conversation with my youngest son yesterday about seriousness. It reminds me how much we run from seriousness but also how much we need it in order to be able to be given more fully in our mirth, oddly enough. “Seriousness” is a big, vague word but it refers to taking life seriously, taking feelings seriously, taking experiences of loss seriously, and gain, seriously. Seriousness as a perspective of life or attitude towards one’s own existence juxtaposed against the alternative – humor, light-heartedness. What I find is this: Whatever we run from also holds a piece of our authentic self hostage. The imprisoned bits of self cannot genuinely participate in laughter and sometimes reach desperately out for any and every comedy to salve the haunting fear within, a sort of addictive process requiring perpetual doses of positive or funny or anything but the things we run from within ourselves…so…I’ve found that as I’m bankrupted by some of life’s crueler tides, I’m also opened up to deeper experiences of joy, an unreserved, unguarded unfolding of meaningful and light-hearted appreciation for all that life can be. I have precious little patience with positive mantras divorced from process, divorced from the organic work of finding a truly uplifting perspective via the deeper work of… honesty. I love Mark Pellington’s work as well as David Whyte’s wonderful exposition of so many layers of life’s more serious realities. So, this follows:
Mark Pellington has this to say of the documentary:
“This film was made by me as an exercise in process, to explore my own progress and personal feelings towards loss, grief, and healing. Via this text. My instinct was to be very simple and direct and to understand these words, via catharsis. The conduit was human, the face. The unlying veneer, the carrier of instinct. The face. It evokes the range of emotional expression and human truth of strangers. They all listened to it one time and brought their own inner stories to you the viewer. “
stripping life fells me
white silence stills sweet movement
’til the blooming sings
(I haven’t posted in months due to surreal challenges with CFS/ME and all the stripping life can be even without disease. The passing of two precious souls in February overwhelmed me and well, and. Life will, ultimately, dress us up in our naked humanity revealing the simple truth that with or without great health, with or without traditionally-held realities of identifiable productivity…love is all the reason to keep on, even if it’s a bit of a crawl with rebellious outbursts of dance. Here’s to better days.)
Danielle Caruana – Mama Kin … Soul so alive … speaking and singing the song …
“..we have all sorts of representations of ourselves which are really rather superficial. And we try to identify with them. But then once we do that, we have this quality of thought which infuses it into perception. We apparently perceive the thing we are representing – it seems to be there. It’s like the rainbow; we see a rainbow, but what we have is drops of rain and light – a process. Similarly, what we ‘see’ is a self; but what we actually have is a whole lot of thoughts going on in consciousness. Against the backdrop of consciousness we are projecting a self, rather than a rainbow. If you walk toward the rainbow you will never get there. The image of the table is produced in the same way, but if you walk toward the table you will get there and touch it.
“I’m suggesting that if you try to touch the self, it will be the same difficulty as trying to touch the rainbow. We have a representation of the self, which is really arising in a process. We don’t know this process very well; but the attempt to treat the self as an object is just not going to mean anything. So instead, suppose we say that this self is unknown. Its origin, its ground is unknown. And it is constantly revealing itself through each person or through nature or through various other ways.” David Bohm – Thought As A System
ego tells me to draw conclusions…shore up my indignation or my melodrama, the one where I’m left out, ignored or otherwise tricked into a situation not best for me…the one where I’m enticed onto the dance floor, courage of a wallflower conjuring possibility…the one where I get there and it’s empty…the one where the latest story plays out ancient history…here, another loss…there, another loss…
see, there now. I can legitimize the pout, the hardening heart; the saga continues.
heart tells me to stay in the game…shore up my courage, stand naked, hold out for better days…perpetuate the script of constancy and hope…keeping afloat fantasies made from valid yearnings…distorting reality…one more swig from the bottle, just one…
see, there it is. I can accept and continue heralding heartfulness in the face of hard, harsh brick wall non-response; the saga continues.
mind tells me to get real…how much more obvious does it have to be before you see, it’s the same dumb sham…you’ve been played…you played yourself too…wake the hell up, chick…run fast and far…fuck ’em…be done and gone…besides, no proof of your perspective as valid, no proof of possibilities good, bad or otherwise, no proof, no nothing but silence… and silence speaks. see how much it meant? nada…nowhere…next?
and now, finally. I can dignify my stupidity by showing I see it, by throwing myself into a race in the opposite direction. there, the saga stops (nah, it continues).
but the shores shape and carve out the landmass… the mist makes feasts and evaporates… myriad possibilities, likelihoods, comfortings and abandonments form character, painting stories on soul’s terrain…somewhere between the melodramatic maybes, foolhardy courage and pessimistic realism is the song of a universe whisking us all onto dance floors we’ve not begun to fathom … and while I can’t stop the tides or discourage another etching on my backside, frontside or otherwise, can’t force justice, or awareness or love or … happy endings… I can let go and let it be as I move on, away from conclusions…embracing the way of nature … ‘though it seems fairly obvious sometimes…
all I know is this: I don’t know. I see all the possibilities in situations left languishing, cut short violently or otherwise aborted by unfortunate events. but. I don’t know.
move me, life, beyond judging what is not mine to judge… move me, great waters, into the floating real of what I can do for me right here, right now in this warm and gentle sea…