Our Tale

As the petals opened truly, sweetly, wide
and the fragrance swept our fears away,
as the song filled the rooms,
and we sighed into our own peaceable blooming,

we knew the flower’s artistry would curl up and brown,
the ground receiving bits and pieces,
the melody fertilizing earth for the next cycle of being.

And though we scatter to the four corners of our differences,
and all the little deaths have been tucked away,
the decrees final, the shunning done,
no resurrection likely in our time,
and though the barriers against what was and what is taunt
and accuse the past blooms of being not blooms, but instead a totality of falsehood,
and though the desire to either/or and to brutally conclude clamors,
the truth refuses obliterative absolutes.

It is not true that a flower was not real
because the flower is now dead,
and because that one flower will not be again.

Love and songs transmute our failings
and carry nourishment from all the booming blossoms
to the heart of being, feeding our lives
in spite of the prevailing death.

There is a both/and excruciating
whose requisite liberation sets the heart free.

The magnolia did bloom.
We did feast on a love impervious to our fated losses
(though we cannot reach ‘cross charred divides).
And in that is purpose no betrayal can destroy,
in that is a feltness stomping out futility’s lies,
in that is unity beyond graves,
and a song of cherishing that which insanity cannot devour.

Though mere formalities obliterated bonds,
the magnolia’s bloom will ultimately be our tale.

Photo by J. Ruth Kelly, 2019, All Rights Reserved

The Unborn

“’The unborn’ are a convenient group of people to advocate for. They never make demands of you; they are morally uncomplicated, unlike the incarcerated, addicted, or the chronically poor; they don’t resent your condescension or complain that you are not politically correct; unlike widows, they don’t ask you to question patriarchy; unlike orphans, they don’t need money, education, or childcare; unlike aliens, they don’t bring all that racial, cultural, and religious baggage that you dislike; they allow you to feel good about yourself without any work at creating or maintaining relationships; and when they are born, you can forget about them, because they cease to be unborn… You can love the unborn and advocate for them without substantially challenging your own wealth, power, or privilege, without re-imagining social structures, apologizing, or making reparations to anyone. They are, in short, the perfect people to love if you want to claim you love Jesus but actually dislike people who breathe.

Prisoners? Immigrants? The sick? The poor? Widows? Orphans? All the groups that are specifically mentioned in the Bible? They all get thrown under the bus for the unborn.”
Dave Barnhart

Circles and Curves

We wend and reach ’round curves,
our circles and circuits of intent.
And whether we mean them to or whether we’re oblivious,
our days become us as we stretch
towards sun’s warmth with hope,
and a strange courage revealed
only by life’s catastrophes.
While we break, our resilience refines itself
sifting through the bits left behind,
a quiet knowing we’ve yet to find,
and ’round another bend, a field of growth flourishes as we weep.
Though we sleep through days on end,
awaiting a less raging grief,
these circles and curves unfold us
eternally towards the sun.

j. ruth kelly, 2019

I Ran

I ran so far across noble terrain, full of intent to prove love makes us whole,

to prove love is what we’re here for,

to prove unity grows from and within love,

to prove the living of this life truly worthwhile,

to prove love can transform all the worst demons,

to be empowered despite loss, to be present ‘though pushing through disease,

to be accepting and expectant without entitlement because love,

and so, I ran hard at the work, in the work, in the rest and the play of it all.

And I hiked.

And I climbed.

And I fell, and I fucked some things up.

And I coasted, and I even flew.

And here I am looking down and across the miles behind me.

And I have loss and miscarriage where I least expected.

And I have declarations of love coming at me that ring empty, devoid of any action to make it real,

And rejection of who I am, of how I am who I am, blithe, unseeing and judgmental eyes looking back at me, forgetting when we laughed and held on, forgetting all the love knitting.

And I have proof of love’s work and unity where I least tried and with some unexpected.

And I have uncommon bonds, those seldom known, the kind of connections few experience.

And I have proof I can persist and release, celebrate and grieve.

And I know that love doesn’t make us whole as much as it melts into loss, imparting resilience, filling up the cracks.

And love doesn’t raise the dead, this I know, too.

And I have a crisis of meaning if I look at the lost harvest and the heartaches love couldn’t resolve.

And I have endless grief if I look long at the hurt life handed the ones I thought I could protect, the disease I thought preventable, the power I thought I had, we had.

And I want not to run.

I want not to climb.

I want to release proving.

I want to accept what needs accepting.

I stand looking at the path behind me and there’s a woman clawing her way up the summit.

Her hands are amazing, their strength endless and her legs flex with all the sinew I once knew.

The sun has loved her and the moon, too.

The earth delights in her ministrations.

The rivers know her soul intimately and she sings their songs.

One glance at her climbing my way and I know.

She’s singing and has paint on her chin, ink on her palms, dirt under short fingernails.

There’s a bit of moss and flower in her hair, wild.

She has some wands on her back, ones I thought were forever gone.

Those locks are flaming red, none of the sprinkles of gray gracing my own head.

She isn’t smiling, but she keeps singing strange chants tugging at my core.

She simply won’t stop.

She’s got the air of one who knows and instantly I remember her from dreams past and from dances under leaves, twirling innocence.

We were one, before the running began.

And I can’t remember anymore when it began.

But she couldn’t keep up with me in the clamor of my proving or the running towards meaning.

She had to do her own thing until I stopped.

She grips for the final reach and grasps up at my hand,

And we pull each other up.

She stands now in front of me and we’re facing.

And she wants to know if I’m ready now to know the deeper work of tRuth,

the one not dependent on proving anything.

She wants to know if I’m finished racing for what is and was always right here.

She knows the foundational work and breaking up of my defenses has been more relevant than all the racing to prove.

She knows the running for love, climbing and building, resting and dancing are not made futile by the scant returns or the seeming and actual loss.

She just knows more deeply what is more important than any other work now.

She knows me as my own teacher and my own saboteur.

She hugs the grieving, weeps the years ravaged by an illness that has yet to release me.

And she reminds me, insists I see that the miles stretched out behind us reveal the real, the deepest work of love was made more by love itself and by open-heart collisions than by the most potent intent or tenacious presence.

And so, now we can begin

singing,
singing,
singing

over these bones.

2019, All Rights Reserved

The Dance Remains

Oh, we sway as the day’s dance pauses in the hum of moon and sun
and some ancient knowing calls us to feast in the now,
in the everydayness of our unearthings.

We stretch and weep and shout, ousting stagnations,
blooming towards the sun as we turn for one more run.

And one more run becomes us
‘til the next sleeping awakens deeper, truer love being,
love showing truth in the face of the dark histories,
and in the aftermath of all that suggests futility
the dance remains,
but we are never the same.

J. Ruth Kelly, 2019, All Rights Reserved