Trails Lead…

maybe these trails lead
somewhere deep within love’s soul
where a lil girl leaps
and heart plays freely
skipping along her power
and the trees sing sight
faeries’ smiles light paths
as eternal youth blossoms
from within time’s keep
and a woman’s face
turns to decades trailing life
her roots finding gold
for in these woods, we’re never old

j. ruth kelly, 2017, all rights reserved

 

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All The While…

relentless roil of thunder
reverberating through every layer,
every sigh and song of loss
reaching past and gently tumbling
all these walls fretting against fear.

weary feet follow the deep drumming
and hope’s heart skips beats all the while wondering,
all the while summoning some ancient reckoning.
love and courage beckon beyond the edge,
a plunge for those whose languishing days
are over…

 

photo by j. ruth kelly, 2017, all rights reserved

Awakening

gentle turning within
disrupting, kindly disintegrating
all the walls surrounding precious seed
now spilling elixir, filling the soil of soul’s untamed bounty.
an unnamed fullness unfolds.
wholeness insists outside old stories…
and the fall, the loss grows richness where we land…

photo by j. ruth kelly, 2017, all rights reserved

Airborne Over Santa Fe…

All awe-filled and full.
Sun’s beckoning lands me west
of all the madness
posing pretend love
and telling tall tales to fill
a yawning divide
no lie can hide now.
See, I see you more clearly
and all I can do
is fly far away
building sweeter ways to love
beyond the carnage.

photo by j. ruth kelly, 2017, all rights reserved

 

The May Monet

In May Monet brews
deep hues’ agony and love
the vista reveals
A woman reeling
deeply resonating hope,
courage poised, still.

j. ruth kelly, 2017, all rights reserved

My daughter, Marion, is often called May, and in May we visited Carnegie Museum of Art. The month of May turned out to be a very challenging and difficult time for my daughter. Her courage, strength, and depth of awareness struck me as I turned to look back at her lingering over Monet’s magnificent and imparting work of beauty.

Happy Marketing of Motherhood Day!

I bet you can tell by the title that I’m done with forced appreciation days. I bet I’m not alone. I bet there are a million other moms out there who would just like the world to recognize that women are human, that moms are human, that moms have too much asked of them and not enough expected of them in terms of their growth as individuals and. And. I bet you the consumer ideology that heaps a load of obligation on our backs smells really bad right now while the money rolls in and the lines queue up at the local Cheesecake Factory. I bet you.

[I bet you none of it compares to the birthing our children do of us mothers. I bet you no one has a clue. I bet you there is nothing more challenging or more beautiful or more terrifying or more heartbreaking than bringing 3 lives into an utterly mad, mad world.]

I bet you might assume this is a terrible day for me for some crazy reason. But the truth is, it’s not. It’s a day like many others, a day in which I’m contending with the very intense requirements of motherhood while juggling the fallout of others’ mothers’ fallout while everyone ignore’s the power of others in general. And a day when women are the first and easiest scapegoats in a line of ancient feminine scapegoats. But I don’t feel like one of those scapegoats. I refuse that vibe. I just know this world. And I weary of the disorders posing parenthood and authoritarianism crushing humanism and transformation. It’s everywhere, all day, everyday and it especially wreaks havoc on mothers, telling them they can never ____ and the shouldn’t ever ____ and if they fart sideways they might ruin the world. Ha, and they might actually. It’s a rigged game.

2014-2017, j. ruth kelly, all rights reserved

Here’s to mothers. Here’s to women who mother but have never felt the surreal sensation of a bowling ball-like human body coming through the most amazing otherwise recognized channel of incredible pleasure. As it turns out, being able to push ’em out doesn’t guarantee you’ll do much very well beyond that flesh-ripping moment. And it’s high time we quit romanticizing motherhood, I bet.

Here’s to people who refuse bullshit and manage to enjoy forced appreciation days no matter what they conjure of mothers’ worst reruns or best creations. And here’s to the ones who loathe it.

[Here’s to my children whose lives have ushered in epochs of gut-wrenching, heart-embiggening, tragedy-contending, beauty-bowling moments. Here’s to my children who show love in ways no Mother’s Day can convey, who shine and grow and rip up my pretenses, my pride, and my ideas of what is perfect by being gorgeous expressions of wholeness becoming. Mother’s Day can, otherwise, go fuck itself.]

 

 

A Harvest Calls

When the winter stole my song, all the lovely bits of me blew away
and the night chained the dirt of my soul to the earth,
a forest of dead leaves and berries cloaked my blood.
So I wailed into the mire, a sort of siren sob for ice and snow, but no.
The season remained anchored to an epoch, bored by all my ire
and, instead of relenting, carved notches in my throat,
binding my voice to memories of long ago, whispering secrets stored in lifetimes past.
And so I listened.
And the notches cut deep, freeing waters dank and tired.
They ran in rivulets down my neck and into the valley hardened by hope’s abortions,
flooded all the flotsam jamming up my flow and washed old corpses out to sea.
And I listened more
as the ice and snow melted down into my core, warmed by embers unseen.
Then a new song gripped the heart of every screenplay refusing tRuth,
wringing out the lies, peeling back the armor ancient,
fucking the mindlessness out of every habitual, knee-jerk bullshit
reactionary presentation.
Stripped, disintegrating but the truest hum emanating.
Out past the dirt and mire, through the cracks in my grave…
a harvest calls,
a song is freed,
and these feet remember the dance.

j. ruth kelly, 2017, all rights reserved